Lot 12
  • 12

A Fine Brussels Gothic tapestry depicting Bathsheba at the Fountain from the story of David and Bathsheba circa 1510-20

Estimate
50,000 - 70,000 USD
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Description

  • wool and silk
  • 10 ft. 10 1/2 in. by 10 ft. 6 in.; 331.5 by 320 cm

Provenance

German private collection

Condition

Old lining with fabric tabs for hanging. Slightly reduced. Later selvage (folded under). Open warps and splits throughout. Upper portion of top border and some areas of drapery rewoven and restored. Restorations throughout particularly in cream colored silks. Some (side?) borders associated. Good variety of colors but with some fading throughout. Color slightly browner overall than in catalogue image. Silks dry. Evidence of moth. Beautiful quality and design.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

The story of David and Bathsheba enjoyed great popularity in the Renaissance, and a number of tapestries from a series of the same name, including the episode of Bathsheba at the Fountain, were woven throughout the first half of the 16th century in Brussels. Well known sets of weavings from this series include a group in the Royal Collection, Madrid, once owned by King Manuel I of Portugal (recorded in 1505), and another set purchased by King Henry VIII of England, now at Musée National de la Renaissance- Château d'Écouen. These sets feature similar elaborately clad courtly figures but the compositions vary from the present example.