Lot 62
  • 62

Albert Cheuret

Estimate
20,000 - 30,000 USD
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Description

  • Albert Cheuret
  • "Cigogne" Illuminated Mirror
  • signed Albert Cheuret
  • silvered bronze, alabaster and mirrored glass

Condition

Overall in very good condition. The silvered bronze frame presents with a consistent mottled dark finish throughout. The central mirror has probably been replaced. The alabaster, possibly replaced, is in good condition very minor surface abrasions along the edges from contact with the bronze frame. An attractive and well-cast example showing wonderful movement to the bird sculptural element complemented by nice detailing along the rest of the mirror frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Cheuret’s style is easily recognizable, featuring stylized bird and plant subjects in simple and gracious forms, executed in his favorite materials, silvered or patinated bronze and alabaster. Yet the artist behind the creation remains elusive.

Born in 1884, Cheuret studied sculpture and had his own workshop in Paris.  From 1907, he exhibited at the Salon des Artistes Français alongside Carpeaux, Rodin and Bourdelle.  In 1925, he took part in the International Exposition in Paris, describing himself as statuaire-décorateur.  He presented bronze sculptures, furniture and most notably lighting. 

The discovery of Tutankhamen’s tomb by Howard Carter in 1922 inspired artists to explore new decorative motifs. Cheuret integrated exotic figures into his designs, in a naturalist or more abstract style.  His birds and their refined, yet soft, forms and materials have become icons of the Art Deco period.