Tiffany Studios

D. Leonard and Gerry Trent, New York, 1987

Paul E. Doros, The Art Glass of Louis Comfort Tiffany, New York, 2013, p. 170 (for a related example)

Overall in very good condition. As expected with the Cypriote technique, the exterior surface is highly irregular and tactile, with some occasional surface irregularities and open air bubbles all inherent in the making and decorative technique. When viewed from one axis the vase shows a very slight subtle lean. The top rim with a tiny shallow surface fleck approximately 1/8 inch. With a few very light and fine surface scratches just above the bottom foot. The underbase with two small areas of adhesive residue. The vase interior with light surface soiling. The exterior is intensely iridized, imparting the vase with strong luminosity and a range of brilliant hues. A stunning example, displaying a particularly elegant form, highly controlled and artistic decoration, and striking color. The peacock eyes are beautifully articulated, surrounded by exquisite linear feather decoration in a range of brilliant jewel tone hues.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

The peacock was one of Louis Tiffany’s favorite decorative motifs, and he incorporated it into the full range of his work, from leaded glass windows to jewelry.  He was obviously intrigued by the vivid iridescent blue, purple and green sheen of the bird’s feathers.  The peacock was also particularly well suited to church decorations.  It was a symbol of immortality to the ancient Romans, as they believed its flesh did not decay after death.  The early Christians readily adapted this symbolism.  To them, the peacock’s shedding of its feathers each year and growing newer, more resplendent plumage represented the resurrection of Christ.

Peacock-decorated Favrile vases were first displayed at the company’s Fourth Avenue showrooms in the early spring of 1897, and the timing was entirely due to marketing considerations.  Several New York City newspapers, probably given the information by Tiffany himself, reminded the public that the peacock was symbolic of Christ’s resurrection, and these vases would make an ideal gift for Easter.

This particular vase comes from that initial stage of production and its pockmarked Cypriote exterior surface makes it highly unusual.

─Paul Doros