Lot 139
  • 139

Margaret Gere

Estimate
400 - 600 GBP
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Description

  • Margaret Gere
  • An English Village
  • signed with initials l.r.: M.G
  • watercolour
  • 11 by 10cm., 4ΒΌ by 4in.

Provenance

Fine Art Society, London, 1969;
Thomas Stainton;
Fine Art Society, London, August 1995

Exhibited

Cheltenham, Cheltenham Art Gallery & Museums, Margaret Gere Exhibition, 21 January - 3 March 1984, no.D2.

Condition

The sheet appears to be sound. Slight discolouring otherwise in good overall condition. Held under glass in simple gilt frame with brown mount; unexamined out of frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Margaret Gere was born in Leamington Spa, Warwickshire and was the half-sister of the artist Charles March Gere, studying under him from 1897 at Birmingham Municipal School of Art. She studied at the Slade School of Fine Art in London and was a founder member of the Birmingham Group of Artist’s-Craftsmen. Gere joined other members of the Birmingham and Cotswold groups in joint exhibitions, and also held a number of one-man shows in Cheltenham and London. Amongst her wide circle of friends included Max Beerbohm, Alfred Munnings, Stanley Spencer and John Betjeman. She generally favoured working on a small scale, in tempera or watercolour, such as the present example.