Lot 206
  • 206

A TWELVE PANEL 'LONGEVITY BANQUET' COROMANDEL SCREEN QING DYNASTY, 18TH CENTURY

Estimate
60,000 - 80,000 USD
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Description

  • wood
carved with an auspicious and elaborate scene depicting various Daoist Immortals arriving with much fanfare to pay homage to the God of Longveity Shou Lao who sits with a small deer to one side under a pine tree waiting to receive celestial visitors, the 'Eight Immortals' with their various attributes, Wang Ziqiao flying towards the gathering on a crane, some crossing the waters of the Sea of Happiness on mythological animals, others on foot along mountain paths or crossing bridges including Zhongkui and his captive demon, Dongfang Shuo carrying a large bough of peaches, many other figures borne on clouds each holding gifts of peaches, other immortals traveling in a giant peach-form raft in the middle of the sea, Daojun, Magu, surrounded by attendants arriving in a heavenly cart of gnarled rootwood pulled by a deer, all in colorful pigments on a black ground, within a border of the 'Hundred Antiques', fruit and flowers, the reverse with plain black lacquer

Provenance

Paul Morand, Palais d'Orsay, Paris, November 16-17 1977, lot 90.

Condition

There is considerable consolidation to lifted lacquer and lost pigments and areas of repaint.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

A twelve-panel coromandel screen with a similar composition is in the Victoria and Albert Museum, London, and illustrated in W.de Kesel and G. Dhont, Coromandel Lacquer Screens, Gent, 2002, pp. 64-65, ill. 43.