Lot 31
  • 31

A HUANGHUALI ROUND-CORNER TAPERED CABINET, YUANJIAOGUI QING DYNASTY

Estimate
80,000 - 120,000 GBP
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Description

  • huanghuali wood and metal
the rounded projecting four frame members set above the rectangular recessed top panel, joined by four round posts at each corner forming the tapered silhouette, the pair of single panel  doors with wooden dowels fitting into sockets in the upper frame and lower front rail, above a plain narrow apron with curved spandrels, with baitong plates, pulls and pin, the interior divided into three shelves and a pair of drawers

Provenance

Collection of Michiel van Ouwerkerk, Lugano, Switzerland.

Condition

The cabinet is in very good condition with the exception of minor shrinkage to the doors, as consistent with age. There is a possible stained area to the upper part of the left door. There are scratches to the interior due to use, and minor dents and wear around the foot.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Huanghuali is amongst the most valued hardwoods in China, appreciated for its vibrant colour, impressive grain pattern and light sweet fragrance. During the Ming and Qing dynasties it was used for making high quality furniture and craftsmen took full advantage of its distinct qualities to create smooth and plain surfaces that retained much of the material’s natural beauty. The highest quality huanghuali, also known by its Chinese botanical name Hainan jiangxiang huangtan, comes from Hainan with a wide range of colouration from light yellow to purplish-red. This type of timber is also grown in Vietnam, Laos, Burma and Cambodia but with a coarser grain texture and its colour nor as striking as that from Hainan. By the Qing dynasty, huanghuali became especially treasured by the imperial court and was frequently used for the production of imperial furniture. Hu Desheng in The Palace Museum Collection. A Treasury of Ming and Qing dynasty Palace Furniture, vol. 2, Beijing, 2008, describes huanghuali furniture as that which typically combines artistry, technical rationale and functional utility and the embodiment of China’s rich culture heritage, p. 578. Amongst collectors and connoisseurs huanghualiis universally acclaimed as the ‘pearl of the Orient’.

Cabinets of this type, with the characteristic round-corner, are known as yuanjiaogui. Amongst classic Chinese furniture yuanjiaogui are valued for their simple yet elegant form and design. This type of cabinet was widely made throughout the Ming and Qing period. For detailed information on the development of Chinese cabinets see Sarah Handler, ‘Cabinets and Shelves Containing All Things in China’, Journal of the Classical Chinese Furniture Society, Winter, 1993, pp 4-29, where the author illustrates a large yuanjiaogui from the Nelson-Atkins Museum of Art, Kansas City, and notes that cabinets of this type became more common on domestic furniture from the 15th century (see p. 13).

 

A very similar cabinet, illustrated in ‘En Route to the West. Chinese Furniture in Hawaii’, Journal of the Classical Chinese Furniture Society, Spring, 1991, vol. 1, no.2, p. 39, fig. 3, was sold in our New York rooms, 17th/18th September 2013, lot 193; a pair was sold in these rooms, 6th November 2013, lot 57; and a smaller example, attributed to the Ming dynasty (1368-1644), in the Beijing Art Museum, is published in Gems of Beijing Cultural Relics Series. Furniture, Beijing, 1999, pl. 42.