French, circa 1350

private collection, Munich, before 1925;
and thence by family descent

H. Wilm, Der gotische Holzfigur. Ihr Wesen und ihre Technik, Leipzig, 1925, p. 160, pl. 25

The angel was taken from an architectural context. There are therefore several losses, including to the back of the head, wing, proper left hand, and ends of the arch it is sat on. There are some traces of worming, which have led to some losses at the proper right hand and top of the head. The polychromy has heavily darkened and has craquelure throughout which has led to some minor losses such as at the shoulders and feet.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The present angel must have come from the end of a long lost set of choir stalls. It holds its hand to its ear as if listening to to the hymns and sermons.