Italian, Florence or Rome, 18th century After the Antique

57 by 51cm., 22 3/8  by 20in.

Overall the condition of the marble is good with dirt and wear to the surface consistent with age. There is a loss to the drapery at the back and the right corner of the base at the front is lost. There are some small chips and abrasions, including to the edges and corners of the base and one or two to the back of the drapery. There is minor veining to the marble consistent with material, including two veins at the blade.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This very fine marble is carved after one of the most celebrated antique sculptures, the Arrotino (the blade-sharpener), housed in the Uffizi in Florence. The powerful expression of the model, one of concern or guilty attentiveness, has led to the belief that the statue portrays a malevolent subject matter; it has most popularly been described as a Scythian executioner waiting to flay the satyr Marsyas, who suffered this punishment after losing a musical contest against Apollo.