Attributed to Michiel Fabris, called L'Ongaro (circa 1644-1684) Italian, Veneto, second half 17th century

Sotheby’s London, 27 April 2001, lot 88;
European private collection

Overall the condition of the marble is good with minor dirt and wear to the surface consistent with age. The left section of the figure's shirt is carved separately and may be reattached. The lower left corner is lost. There is some staining to the marble at the top and on the right side, which may suggest it has been outside. The surface is a little dry. There is cement to the reverse. There is flaking to the paint on the frame, and minor splitting to the wood consistent with material. The joints of the frame are slightly open.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Compare with the bust of a philospher and Saint John the Evangelist by Fabris illustrated in S. Guerriero, "Le alterne fortune dei marmi: busti, teste di carattere e altre "scolture moderne" nelle collezioni veneziane tra Sei e Settecento", G. Pavanello (ed.), Nuovi Studi. La scultura Veneta del Seicento e del Settecento, Venice, 2002, p. 107, figs. 3 and 6.