Lot 123
  • 123

Attributed to Giacomo Piazetta (1640-1705) Italian, Venice, late 17th century

Estimate
12,000 - 18,000 GBP
bidding is closed

Description

  • Ezekiel
  • wood
  • Attributed to Giacomo Piazetta (1640-1705) Italian, Venice, late 17th century

Provenance

with Bruno Cooper, United Kingdom, September 2001;
European private collection

Condition

Overall the condition of the wood is good with dirt and wear to the surface consistent with age. A few sections of drapery on the figure's proper left side are cast separately. There is non-active worming to the wood consistent with the material. There is minor stable splitting to the wood consistent with the material. A piece of the turban at the back is reattached. The arms are probably carved separately, as is the staff. The base is carved in sections and there is stable splitting.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

In 1683 Giacomo Piazzetta carved twenty-eight moralising statues of heretics for the Biblioteca dei Domenicani in Venice, which is adjacent to the Basilica of SS. Giovanni e Paolo. The statues were removed in the early 19th century and disappeared so that only the ceiling decorations and a frieze by Piazzetta survive in the space. Twenty-four terracotta bozzetti for the heretics have been identified in several museums, including the Bode-Museum, the Ca' d'Oro, and the National Gallery of Canada. The whirling composition and tension created by the ascent of the present figure on the two books underfoot compares well to several figures in Piazetta's Scenes from the Life of Christ and the Virgin now in the SS. Giovanni e Paolo (see Bacchi, op.cit., pp. 775-776). Even though one of the bozzetti compares to the present figure in certain elements, four more are still missing and the sculptor could have changed his composition, suggesting that this could be one of the lost heretics from the Dominican Library.

RELATED LITERATURE

A.Bacchi (ed.), La scultura a Venezia da Sansovino al Canova, Milan, 2000, pp. 775-776, figs. 568-571