[Jones, David]

Jones, D. [Seven engravings from Seven Fables of Aesop, [c.1928], unbound in single gathering, Eric Gill bookplate, collector’s box, [cf Cleverdon B51]--Farjeon, E. The Town Child’s Alphabet. Poetry Bookshop, 1924, original boards, Brain Douglas Stilwell bookplate, some browning--[Swift, J.] Travels into several Remote Nations of the World... Golden Cockerel Press, 1925, 2 vol., number 303 of 480 copies, original cloth, together with prospectus, John M. Cameron bookplate, [Cleverdon B27]--[Bible]. The Book of Jonah. Golden Cockerel Press, 1926, number 34 of 175 copies, original cloth [Cleverdon B8]--Coventry, F. The History of Pompey the Little. Golden Cockerel Press, 1926, number 9 of 400 copies, original cloth-backed boards [Cleverdon B46]--Isaacs, J. ed. The Chester Play of the Deluge. Golden Cockerel Press, 1927, number 168 of 275 copies, original cloth, dust-jacket, collector’s box [Cleverdon B18], some slight soiling--Monro, H. The Winter Solstice. Faber & Gwyer, 1928, number 205 of 500 copies signed by the author, original boards--Coleridge, S.T. The Rime of the Ancient Mariner. Bristol: Cleverdon, 1929, number 147 of 400 copies, original cloth, slipcase [Cleverdon B47]--Campbell, R. The Gum Trees. Faber and Faber, 1930, number 197 of 400 copies signed by the author, original boards, extremities chipped--Jones, D. The Anathemata. Faber and Faber, 1952, original cloth, Enid and David Jeffreys bookplate, dust-jacket, chipped at extremities; Jones, D. The Fatigue. Cambridge: Rampant Lions Press, 1965, number 12 of 298 copies, together with a loose proof of page 2 annotated in brown and red ink, original wrappers; Jones, D. The Tribune’s Visitation. Fulcrum, 1969, number 86 of 150 signed by the author, original cloth, dust-jacket; Jones, D. An Introduction to the Rime of the Ancient Mariner. Clover Hill Editions, 1972, number 103 of 115, signed ‘David Jones’, original parchment-backed cloth, slipcase [Cleverdon B32], slipcase frayed at extremities; Jones, D. The Sleeping Lord. Faber and Faber, 1974, number 82 of 150 copies signed by the author, original cloth, slipcase--Raine, K. David Jones, Solitary perfectionist. Ipswich: Golgonooza Press, 1974, number 35 of 350 copies signed by the author, original wrappers--Jones, D. Use & Sign. Ipswich: Golgonooza Press, 1975, number 141 of 350 copies, original wrappers--Levi, P. In memory of David Jones. The Tablet, 1975, inscribed ‘For Mark Boott Christopher Skelton’, original wrappers--Cleverdon, D. The Engravings of David Jones. Clover Hill Editions, 1981, number 159 of 260 copies, original cloth--Gray, N. The painted inscriptions of David Jones. Fraser, 1981, original cloth-backed boards, dust-jacket--Gray, N. The paintings of David Jones. Taylor and Lund Humphries, 1989, original cloth, dust-jacket--Jones, D. Ten Letters. Agenda Editions, 1996, number 80 of 160 copies, together with a correspondingly numbered wood-engraving by Richard Shirley Smith, signed, original cloth, slipcase--together with 23 others--various sizes, occasional spotting and browning, occasional wear to bindings (46)

Condition is described in the main body of the cataloguing, where appropriate.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."