Style of Robert Adam

redecorated, losses and later mirror plate

Some glass plates replaced. The moulded frame is distressed and has been redecorated and as a result the carved decoration has lost some definition. The inner slip with a large fracture. With marks and scratches consistent with age and use.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Robert Adam’s influence on late 18^thcentury design is great, working in a 'new neo-classical taste'; he was the main force in the development of a unified style that extended beyond architecture to include both the fixed and moveable objects in a room. The carved rosette divides and beaded slip are typical motifs employed by Adam in his designs of this period.

If this mirror was a piece inherited by Mary, it was perhaps acquired by Clementine and Winston during their time as tenants at the grace and favour Adam designed house that was Admiralty House, with its elegant, neo-classical rooms featuring delicate ceilings and chimneypieces. The Churchills resided there first between 1911–15 and then in 1939-40. Mary writes 'It [Admiralty House] was entirely to Winston's taste (and indeed to Clementine's)...' (Mary Soames, Clementine Churchill, Doubleday, London, 2002, p.89).