Thomas Musgrove Joy

Christie's, T. M. Joy Studio Sale, 18 June 1866, lot 111, as A Country Fête

The canvas has been lined. Some small paint loss in the upper right corner and along left edge and some surface abrasions to each vertical edge where the canvas has rubbed the frame. There is a horizontal surface abrasion near centre of left edge approximately 10cm across. The surface is very dirty and should benefit well from cleaning. Ultraviolet light reveals some retouchings along the left and right edges, a spot in the stand, and one or two isolated spots in the sky. Held in a gilt plaster frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

In the present work, Thomas Musgrove Joy has depicted a lively scene of finely dressed women gathered on the Ladies Lawn at Goodwood, with a few top-hatted gentlemen among them. Fashion was as integral a part of horseracing then as it is today, and Joy's swift and dynamic brushwork evokes a buoyant, social atmosphere. In the background can be seen the old grandstand which was built in 1830 (replaced today by the March Stand) and Trundle Hill running up to it, where horses pulled up until 1967. The famous view across the South Downs is depicted by the soft, blue undulating hills which roll into the distance.  

The present picture was possibly a sketch for a painting exhibited posthumously at the Royal Society of British Artists, 1866, as Fête Champtre. 'Fête Champtres' were held regularly at Goodwood as popular social occasions, often alongside the races. 

A similar view appears in an engraving in The Illustrated London News, 6 August 1864.