Manner of Jennens & Bettridge

the tilt-top distressed

Illustrated in a photograph of Clementine's Bedroom at 28 Hyde Park Gardens, London. See Mary Soames, A Churchill Family Album, London, 1982, pl.357.

Losses to mother-of-pearl inlay and extensive chips to the rim. Gilding worn and ebonised frame with marks, wear and losses. The sledge feet noticeably worn with the raw timber exposed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Possibly that painted in the background of the Amy Katherine Browning portrait of Clementine in her Drawing Room, Hyde Park Gate, London, see lot 7.

The firm of Aaron Jennens and T.H. Bettridge (active from 1815-1864) were highly skilled in perfecting techniques in the craft and manufacture of papier mâché wares often incorporating, like the offered lot, intricate mother-of-pearl. Originally based in Birmingham they set up a London shop at 3 West Halkin Street, Belgravia in 1837 and opened offices in Paris and New York two years later. Jennens & Bettridge served as 'Japanners in Ordinary' to George IV and exhibited at the 1851 Great Exhibition; where their “sumptuous” Victoria Regia cot and “gorgeous” floriated Lotus-Table received particular notice.