Lot 2819
  • 2819

Chen Qikuan (Chen Chi-Kwan)

Estimate
250,000 - 350,000 HKD
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Description

  • Chen Qikuan (Chen Chi-kwan)
  • Forest
  • ink and colour on paper, framed
titled, and signed with one seal of the artist

Provenance

Acquired directly from the artist in 1980
Water, Pine and Stone Retreat Collection

Literature

Chen Chi Kwan Paintings 1940- 1980, Art Book Co. Ltd, Taiwan, 1981, Plate 95

Condition

This work is in good condition overall. Framed under Plexiglas.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Trained as a Bauhaus architect, Chen Qikuan transposed his artistic vision into innovative views of nature. Through his paintings, Chen Qikuan sought innovation in the moment. He was undoubtedly inspired by the wildly unusual brush techniques and vivid colours of his self-taught contemporary Yu Chengyao (1998-1993). Both artists had a great sense of design and composition, and disregarded the formalities of traditional painting. Nonetheless, the results are visually striking in their use of colour and mesmerising in the light, but mature, application of the brush and ink. 

Forest pays homage to the legendary thousand-year-old trees of the Yakasugi Forest in Japan. The ancient forest has been a traveler's destination for centuries, recorded as early as the 6th century in China. Located on the protected island of Yakushima, the dense forest is home to indigenous species of red-bottomed macaques and herds of sika, Japanese spotted deer. The intimacy of the hand scroll format immediately draws the viewer into the lively scene filled with dozens of the hanging monkeys and frolicking deer, all thoughtfully composed with a fine brush. In stark contrast, the unusual sponge-like patterns of the trees and staccato marks of their branches nearly fill the entire painting with an imposing, yet whimsical atmosphere. The liveliness of the forest scene transcends the traditional structure of his painting, which is immediately accessible to viewers of all ages.