Zhou Luyun (Irene Chou)

signed with two seals of the artist

Acquired directly from the aritst
A Private European Collection

This work is in good condition overall. There is a 6 millimeter imperfection in the paper on the far right side of the image, 29 centimeters from the bottom. Framed under Plexiglas.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Shan Shui II is a distinctive example of Irene Chou's period of true self discovery and artistic achievement. The composition was started using the impact structural stroke (a technique involving the dabbing of ink on wet xuan paper and allowing the ink to spread on its own) thus creating the fundamental rhythm of the painting. Once the initial gesture of ink was set, the artist enhanced the 'melody' of the painting with fine lines and completed the composition. Referring to the title, shan shui, meaning mountain and water, or landscape, it suggests a harmony between natural elements and a balance in mind. The moon-like sphere is positioned in a stoic position as the swirling ball below dances to its own melody. Each can be interpreted as the waxing and waning of the moon, thus a landscape depicting the passage of time and the cosmic harmony of the universe. The balance and harmony achieved in this painting echoes the confidence and enthusiasm Irene Zhou discovered in her painting throughout the 1980s. During this time, she had learned to meditate and her works manifest a consequential reiteration of her balanced spirit.