- 305
Mike Kelley
Estimate
30,000 - 40,000 USD
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Description
- Mike Kelley
- Craft Morphology Flow Chart
- each signed, dated 1991 and numbered A.P. on the reverse
- gelatin silver print, in 3 parts
- Each: 13 7/8 by 10 7/8 in. 35.2 by 27.6 cm.
- Executed in 1991, this work is an artist proof.
Provenance
Patrick Painter, Inc., Santa Monica
Private Collection, California
Acquired by the present owner from the above
Private Collection, California
Acquired by the present owner from the above
Exhibited
Bordeaux, CAPC Musée d’Art Contemporain, Mike Kelley: Oeuvres de 1971 à 1991, September – November 1992 (another example exhibited)
Literature
Exh. Cat. Pittsburgh, The Carnegie Museum of Art, Carnegie International, 1991, p. 58, illustrated (ed. no. 1/2)
Exh. Cat., Basel, Kunsthalle Basel (and traveling), Mike Kelley, 1991, illustrated (ed. no. 1/2)
Exh. Cat., Paris, Musée d'Art Moderne de la Ville de Paris, Lieux communs, Figures singulières, October 1991 - January 1992, p. 28, illustrated (ed. no. 2/2)
Brooks Adams, "Mike Kelley ou l'esthetique de l'echec," Art Press, Paris, June 1992, p. 32, illustrated
William S. Bartman and Miyoshi Barosh, eds., Mike Kelley, New York, 1992, p. 55, illustrated
Elisabeth Sussman, Mike Kelley, Catholic Tastes, New York, 1993, p. 33, illustrated (ed. no. 1/2)
Exh. Cat., Museu d'Art Contemporani de Barcelona (and traveling), Mike Kelley 1985 - 1996, 1997, cat. no. 10. p. 59, illustrated (ed. no. 1/2)
Mike Kelley, Thomas Kellein - A Conversation, Stuttgart, 1994, p. 33, illustrated (ed. no. 1/2)
Yves Alan Boi and Rosalind Krauss, L'informe-mode d'emploi, Paris, 1996, p. 240, illustrated (ed. no. 1/2)
John C. Welchman, Isabelle Graw, Anthony Vidler, Mike Kelley, London, 1999, p. 29, illustrated in color
Exh. Cat., Brussels, Wiels Contemporary Art Center (and traveling), Mike Kelley: Educational Complex Onwards 1995-2008, 2008, illustrated in color (ed. no. 1/2)
Exh. Cat., Basel, Kunsthalle Basel (and traveling), Mike Kelley, 1991, illustrated (ed. no. 1/2)
Exh. Cat., Paris, Musée d'Art Moderne de la Ville de Paris, Lieux communs, Figures singulières, October 1991 - January 1992, p. 28, illustrated (ed. no. 2/2)
Brooks Adams, "Mike Kelley ou l'esthetique de l'echec," Art Press, Paris, June 1992, p. 32, illustrated
William S. Bartman and Miyoshi Barosh, eds., Mike Kelley, New York, 1992, p. 55, illustrated
Elisabeth Sussman, Mike Kelley, Catholic Tastes, New York, 1993, p. 33, illustrated (ed. no. 1/2)
Exh. Cat., Museu d'Art Contemporani de Barcelona (and traveling), Mike Kelley 1985 - 1996, 1997, cat. no. 10. p. 59, illustrated (ed. no. 1/2)
Mike Kelley, Thomas Kellein - A Conversation, Stuttgart, 1994, p. 33, illustrated (ed. no. 1/2)
Yves Alan Boi and Rosalind Krauss, L'informe-mode d'emploi, Paris, 1996, p. 240, illustrated (ed. no. 1/2)
John C. Welchman, Isabelle Graw, Anthony Vidler, Mike Kelley, London, 1999, p. 29, illustrated in color
Exh. Cat., Brussels, Wiels Contemporary Art Center (and traveling), Mike Kelley: Educational Complex Onwards 1995-2008, 2008, illustrated in color (ed. no. 1/2)
Condition
i. This work is in excellent condition overall. The print is window matted and hinged on the reverse at the top two corners to the backing board. There is very faint wear to the extreme edges of the print. Under raking light, there are no apparent condition issues. Framed under Plexiglas.
ii. This work is in excellent condition overall. The print is window matted and hinged on the reverse at the top two corners to the backing board. There is very faint surface soiling evident at the right edge of the margin, not visible when framed. Under raking light there are no apparent condition issues. Framed under Plexiglas.
iii. This work is in excellent condition overall. The print is window matted and hinged on the reverse. Under raking light there are no apparent condition issues. Framed under Plexiglas.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.