Lot 838
  • 838

Yue Minjun

Estimate
2,500,000 - 3,500,000 HKD
bidding is closed

Description

  • Yue Minjun
  • Hat Series
  • oil on canvas
signed in Pinyin and dated 2005; signed and titled in Chinese and dated 2005 on the reverse, framed 

Provenance

Private American Collection

Literature

China, Shenzhen, He Xiangning Art Museum, Reproduction Icons: Yue Minjun Works 2004-2006, 2006, pp. 96-97

Condition

This work is generally in good condition. Having examined the work under ultraviolet light, there appears to be no evidence of restoration.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

“My interest in the hat was piqued at the time of the Olympic Games in Athens, when various hats were used to denote the ranking of the medal winners. They were all based around the shaped of an olive. It was a harmless idea, intended to promote the fact of the games being held in Greece, where the whole concept of the games originated. It was also rather amusing. It made me think about the origin of hats, and how the symbolism of “the hat” evolved. Why was it that this particular accessory became the sign of a job, a social position? Or stranger still, how a hat could signify nationality, or an ethnic group? People who choose to wear hats today usually use them to make statements about their personalities, so the hat becomes an extension of the wearer’s image. No one chooses a hat lightly: it has to be right.”

- Excerpt from an unpublished essay, An Interview with Yue Minjun (2007), by Karen Smith, curator and art historian.