- 516
Raymond Pettibon
Estimate
25,000 - 35,000 USD
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Description
- Raymond Pettibon
- i. No Title (Why depart, dear...)ii. No Title (in the likeness...)iii. No Title (An image lurking...)[Three Works]
- i. signed and dated 2000 on the reverse
ii. signed and dated 02 on the reverse
iii. signed and dated 99 on the reverse - watercolor and ink on paper
- i. 15 by 11 3/4 in. 38.1 by 29.8 cm. ii. 22 1/2 by 17 in. 57.2 by 43.2 cm. iii. 20 by 26 in. 50.8 by 66 cm.
Provenance
Regen Projects, Los Angeles (i & iii) and David Zwirner, New York (ii)
Acquired by the present owner from the above
Acquired by the present owner from the above
Exhibited
Centro de Arte Contemporaneo de Malaga, Raymond Pettibon, September - December 2006, p. 117 (i), 104 (ii) and 227 (iii), illustrated in color
Condition
i. No Title (Why depart, dear...)
This work is in very good condition overall. The sheet is hinged verso intermittently to the matte. There are artist's pinholes in the upper left and right corners. There is a slight undulation to the sheet, most notably along the top edge. The bottom and right edges are deckled. The left and top edges are unevenly cut, which is inherent to the working method of the artist. There are stray traces of media in all quadrants which is also inherent to the artist's working method. Framed under Plexiglas.
ii. No Title (in the likeness...)
This work is in very good condition overall. The sheet is hinged verso intermittently to the matte. The top, right and bottom edges are deckled. The left edge is unevenly cut, which is inherent to the working method of the artist. There is a slight undulation to the sheet, most notably along the left edge. There are artist's pinholes in all quadrants. Framed under Plexiglas.
iii. No Title (An image lurking...)
This work is in very good condition overall. The sheet is hinged verso intermittently to the matte. There is a ¾ inch tear along the left edge 8 ¼ inches from the top edge, which is inherent to the working method of the artist. There is faint scattered smudging in all 4 quadrants of the work, which is also inherent to the artist's working method. Framed under Plexiglas.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.