- 193
Frank Stella
Estimate
400,000 - 600,000 USD
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Description
- Frank Stella
- Moultonboro III (from the Irregular Polygon series)
- signed on the reverse
- alkyd and epoxy on shaped canvas
- 110 by 120 in. 279.4 by 304.8 cm.
- Executed in 1966.
Provenance
Irving Blum Gallery, Los Angeles (acquired in 1968)
Carter Burden, New York
Barbara Divver Fine Art, New York
Acquired by the present owner from the above in January 1982
Carter Burden, New York
Barbara Divver Fine Art, New York
Acquired by the present owner from the above in January 1982
Exhibited
New York, The Museum of Modern Art; London, Hayward Gallery; Amsterdam, Stedelijk Museum; Pasadena Art Museum; Toronto, Art Gallery of Ontario, Frank Stella, March 1970 - May 1971, p. 120, illustrated in color
Boston, Museum of Fine Arts, A Private Vision: Contemporary Art from the Graham Gund Collection, February - April 1982
Cambridge, Harvard University, Fogg Art Museum, Frank Stella: Selected Works, December 1983 - January 1984
Boston, Museum of Fine Arts, A Private Vision: Contemporary Art from the Graham Gund Collection, February - April 1982
Cambridge, Harvard University, Fogg Art Museum, Frank Stella: Selected Works, December 1983 - January 1984
Literature
Caroline Jones, "Space and the Enterprise of Painting," Harvard Magazine, Vol. 86, No. 5, May - June 1984, p. 48, illustrated in color
Exh. Cat., New York, The Museum of Modern Art, Frank Stella 1970-1987, 1987, p. 35
Exh. Cat., New York, The Museum of Modern Art, Frank Stella 1970-1987, 1987, p. 35
Condition
This work is in very good condition overall. The surface is bright fresh and clean. There is some extremely light evidence of wear and handling along the edges, which are taped. Scattered pinpoint spot accretions are visible under close inspection. There are a few other spot accretions: one white accretion in the red along the right side, one in the turquoise painted area in the center center, and a few drip accretions near the bottom of red painted area. There is a spot of yellow paint inside the interior yellow triangle which is a shade lighter than the rest of the paint surrounding it. There is some extremely fine hairline craquelure in the buttery yellow paint towards bottom shaped edge. Under Ultraviolet light inspection, there were some localized areas which fluoresced brightly due to a layer of varnish, most notably in the yellow painted area and red painted area at the bottom. Unframed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
"But, after all, the aim of art is to create space - space that is not compromised by decoration or illustration, space within which the subjects of painting can live." Frank Stella