- 534
Rudolf Stingel
Estimate
500,000 - 700,000 USD
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Description
- Rudolf Stingel
- Untitled
- signed and dated 2010 on the reverse
- oil and enamel on linen
- 82 3/4 by 67 in. 210.2 by 170.2 cm.
Provenance
Gagosian Gallery, New York
Acquired by the present owner from the above
Acquired by the present owner from the above
Condition
This work is in very good condition overall. There is evidence of light wear to the sides of the canvas. Under ultraviolet light inspection there is no evidence of restoration. Unframed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
"Beauty, humor, euphoria, a democratic slant and a resolute sense of economy form the core of Mr. Stingel’s art. He combines a love of painting with the postmodern suspicion of it, and often achieves a near-perfect balance between the visual and the conceptual." (Roberta Smith, 'DIY Art: Walk on It, Write on It, Stroke It,' The New York Times, June 29, 2007)