- 512
Raymond Pettibon
Estimate
30,000 - 40,000 USD
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Description
- Raymond Pettibon
- i. No Title (Keep a loaded...)ii. No Title (My own gun...)iii. No Title (Rekindle, This then...)iv. No Title (There are words...)
- i. signed and dated 88 on the reverse
ii. signed and dated 02 on the reverse
iii. signed and dated 87 on the reverse
iv. signed and dated 00 on the reverse - ink, watercolor and pen on paper
- i. 19 1/8 by 15 in. 48.6 by 38.1 cm.; ii. 14 by 10 7/8 in. 35.6 by 27.6 cm.;
- iii. 13 7/8 by 10 1/2 in. 35.2 by 26.7 cm.; iv. 14 1/4 by 19 5/8 in. 36.2 by 49.8 cm.
Provenance
David Zwirner, New York (i and iii)
Regen Projects, Los Angeles (ii and iv)
Acquired by the present owner from the above
Regen Projects, Los Angeles (ii and iv)
Acquired by the present owner from the above
Exhibited
Centro de Arte Contemporaneo de Malaga, Raymond Pettibon, September - December 2006, p. 158 (i), 162 (i), 252 (iv) and 254 (iv), illustrated in color
Condition
(i) This work is in very good condition overall. The top edge of the sheet is cut unevenly. The top left corner is creased, there are visible fingerprints along the lower left edge and there is stray medium present in the lower right corner, which are inherent to the working method of the artist. There is a light crescent crease extending from the top of the heart approximately 4 inches in length, which is also believed to be inherent to the working method of the artist. Hinged intermittently to the matte. Framed under Plexiglas.
(ii) This work is in very good condition overall. The bottom right corner is creased and the edge is slightly worn, which is inherent to the working method of the artist. There is a slight undulation to the sheet, which is most noticeable in the bottom left corner. Hinged intermittently to the matte. Framed under Plexiglas.
(iii) This work is in very good condition overall. The bottom right, left and top left edges are slightly creased and the corners are worn, which is inherent to the working method of the artist. The right edge is deckled. There is an undulation to the sheet, most notably in the bottom of the sheet and the left edge. The sheet is hinged intermittently to the matte. There is evidence of minor time staining to the sheet. Framed under Plexiglas.
(iv) This work is in very good condition overall. The top edge is deckled. There are artist pinholes in the top left and right quadrants. There is a slight undulation to the sheet most notably along the top and bottom edges. Hinged intermittently to the matte. Framed under Plexiglas.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.