- 467
Adam McEwen
Estimate
120,000 - 180,000 USD
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Description
- Adam McEwen
- Bobby Fischer
- signed and dated 2012 on the backing board
- graphite
- 50 by 42 in. 127 by 106.7 cm.
Provenance
Galerie Rodolphe Janssen, Brussels
Acquired by the present owner from the above
Acquired by the present owner from the above
Condition
This work is in excellent condition overall. There are no apparent conditions issues with this work.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
“The thing I like about it [graphite] is how familiar it is. In a sense, maybe I would hope, democratic. Because pretty much everyone from the age of 4 onwards knows what an HP pencil looks like. They know that color, they know what it’s like to pick it up and draw a line with it." Adam McEwen, 2009