This work is in very good condition overall. There is evidence of light wear and handling along the edges and some scattered hairline craquelure in some of the areas of thick impasto, all of which appears to be stable. There are some minor dust accretions. There is a thin 1 ½ inch line of craquelure in the bottom yellow portion, to the left of the signature. Under Ultraviolet light inspection, there are areas that fluoresce darkly, but appear to be the result the result of the artist's thick layering technique. Framed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.