English follower of Giovanni Antonio Canal, called Canaletto

The canvas is relined and is slightly loose on the stretched, the paint has not been over-pressed and some impasto details still remain. The surface is dirty overall and would benefit from a professional clean by a restorer. There are old retouchings in the sky but otherwise the work has clearly been well looked-after. This lot is offered in a heavy gilt frame with simple decorative mouldings.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This belongs to a large group of works painted by a hitherto unidentified hand. These works were until recently given to William James, an elusive eighteenth century English painter by whom only one signed work is known, a copy of Canaletto's View of the Monument, London.¹

1. See M. Liversidge and J. Farrington (eds.), Canaletto and England, exhibition catalogue, London 1993, p. 130-131, reproduced fig. 24.