- 71
René Prou
Estimate
3,000 - 4,000 EUR
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Description
- René Prou
- Sellette, vers 1925
- wood
- Hauteur : 123 cm (48 1/2 in.) Base : 31,5 x 32 cm (12 1/2 x 12 1/2 in.)
bois doré à la feuille, à pans coupés et sculpté de draperie, surmontée d'un socle à plateau tournant, large base carrée
Provenance
Marcel Kapferer, Paris
Karl Lagerfeld, Paris
Vente Maîtres-Audap-Godeau-Solanet, Collection Karl Lagerfeld, Art Déco, Paris, 21 novembre 1975, lot 128
Acquis lors de cette vente
Karl Lagerfeld, Paris
Vente Maîtres-Audap-Godeau-Solanet, Collection Karl Lagerfeld, Art Déco, Paris, 21 novembre 1975, lot 128
Acquis lors de cette vente
Literature
Les Echos des Industries d'Art, novembre 1925, p. 22 pour une vue dans un coin de salon-studio par René Prou, édité par l'Art du Bois
Claude Frégnac, Décoration, tradition et renouveau, éd. Réalités Hachette, 1973, p. 79 pour une vue de notre lot dans le living-room de Karl Lagerfeld à Paris
Philippe Jullian, The Collectors : Felix Marcilhac in Paris, Architectural Digest, juillet-août 1977, reproduit p. 58
Philippe Jullian, I collezionisti : Felix Marcilhac a Parigi, Architectural Digest Italie, mars 1982, reproduit p. 104
Félix Marcilhac, Connoisseur's Choice, The Staste, n. 1, septembre-octobre 1990, reproduit p. 71
Claude Frégnac, Décoration, tradition et renouveau, éd. Réalités Hachette, 1973, p. 79 pour une vue de notre lot dans le living-room de Karl Lagerfeld à Paris
Philippe Jullian, The Collectors : Felix Marcilhac in Paris, Architectural Digest, juillet-août 1977, reproduit p. 58
Philippe Jullian, I collezionisti : Felix Marcilhac a Parigi, Architectural Digest Italie, mars 1982, reproduit p. 104
Félix Marcilhac, Connoisseur's Choice, The Staste, n. 1, septembre-octobre 1990, reproduit p. 71
Condition
Usure sur l'ensemble de la dorure. Plusieurs fissures, écartements le long des cannelures, avec traces de restaurations à la dorure et traces de salissures et fines rayures éparses et manques aux angles de la base
Scattered signs of wear to the gilt throughout. Some cracks and seperations along the flutting with some traces of restorations to the gilt and traces of dirt; Shallow scattered scratches and some losses to the corners of the base.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Edité pour l'artiste par L'Art du Bois en 1925