- 252
Pierre Chareau
Estimate
40,000 - 60,000 EUR
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Description
- Pierre Chareau
- Fauteuil modèle MF 220, variante jupe basse, vers 1922
- wood
- Hauteur : 89 cm (35 in.) Largeur : 68,5 cm (27 in.) Profondeur : 93 cm (36 5/8 in.)
palissandre, à dossier droit inclinable, sabots métalliques circulaires, tapissé de velours de soie brun postérieur
Provenance
Monsieur Gugenheim, Paris
Dans la famille par descendance
Acquis auprès du précédent
Dans la famille par descendance
Acquis auprès du précédent
Literature
Edmond Fleg, Nos décorateurs, Pierre Chareau, Les Arts de la Maison, hiver 1924, pl. 1
G. Henriot, Pierre Chareau, Mobilier et Décoration, juillet 1928, pp. 221-223
Nouveaux Intérieurs Français, éd. Charles Moreau, Paris, 1933, pl. 15
Raymond Cogniat, La Maison de Verre de Pierre Chareau, Art et Décoration, 1934, TLVIII, p. 50
Marc Vellay et Kenneth Frampton, Pierre Chareau, éd. du Regard, Paris, 1984, pp. 83, 314
Félix Marcilhac, Connoisseur's Choice, The Staste, n. 1, septembre-octobre 1990, reproduit p. 74
Pierre Chareau architecte, un art intérieur, catalogue d'exposition, Pierre Chareau, 1883-1950, Centre Georges Pompidou, Paris, 3 novembre 1993- 7 janvier 1994, pp. 18, 100, 127
Dominique Vellay, La Maison de Verre - Le chef-d'oeuvre de Pierre Chareau, éd. Actes Sud, Arles, 2007, p. 54
G. Henriot, Pierre Chareau, Mobilier et Décoration, juillet 1928, pp. 221-223
Nouveaux Intérieurs Français, éd. Charles Moreau, Paris, 1933, pl. 15
Raymond Cogniat, La Maison de Verre de Pierre Chareau, Art et Décoration, 1934, TLVIII, p. 50
Marc Vellay et Kenneth Frampton, Pierre Chareau, éd. du Regard, Paris, 1984, pp. 83, 314
Félix Marcilhac, Connoisseur's Choice, The Staste, n. 1, septembre-octobre 1990, reproduit p. 74
Pierre Chareau architecte, un art intérieur, catalogue d'exposition, Pierre Chareau, 1883-1950, Centre Georges Pompidou, Paris, 3 novembre 1993- 7 janvier 1994, pp. 18, 100, 127
Dominique Vellay, La Maison de Verre - Le chef-d'oeuvre de Pierre Chareau, éd. Actes Sud, Arles, 2007, p. 54
Condition
Bon état général. La garniture refaite. Petits enfoncements sur les accotoirs, légère décoloration de la barre de bois soutenant le dossier inclinable.
Traces d'oxydation sur les sabots en métal. L'ensemble d'usage
Good overall condition.
Reupholstered. Minor dents to the armrests, slight discoloration of the wooden bar supporting the recliner. Traces of oxidation to the metal.
Consistent with use and age.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."