- 147
François-Emile Décorchemont
Estimate
10,000 - 12,000 EUR
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Description
- François-Emile Décorchemont
- Vase aux masques, macchabées, 1919
- Signé du cachet Décorchemont sur le corps et numéro gravé 338 au revers
- glass
- Hauteur : 14,5 cm (5 3/4 in.)
pâte de verre dans les tons brun et ocre
Literature
François Duret-Robert, Encyclopédie, Verre : Décorchemont, Connaissance des Arts, n. 256, juin 1973, reproduit n. 18, n. p.
Janine Bloch-Dermant, L'Art du Verre en France, 1860-1914, éd. Denoël, Paris, 1974, reproduit p. 111, n. 137
Antiquario: Vetri francesi, Architectural Digest Italia, février 1982, reproduit p. 128
David Bourdon, Antiques: French Art Glass, Refinements of Sophistication and Fragility, Architectural Digest, juin 1978, reproduit p. 125
Noël Daum, La pâte de verre, éd. Denoël, Paris, 1984, reproduit p. 111
Véronique Ayroles, François Décorchemont, Maître de la pâte de verre, éd. Norma, Paris, 2006, reproduit p. 244
Janine Bloch-Dermant, L'Art du Verre en France, 1860-1914, éd. Denoël, Paris, 1974, reproduit p. 111, n. 137
Antiquario: Vetri francesi, Architectural Digest Italia, février 1982, reproduit p. 128
David Bourdon, Antiques: French Art Glass, Refinements of Sophistication and Fragility, Architectural Digest, juin 1978, reproduit p. 125
Noël Daum, La pâte de verre, éd. Denoël, Paris, 1984, reproduit p. 111
Véronique Ayroles, François Décorchemont, Maître de la pâte de verre, éd. Norma, Paris, 2006, reproduit p. 244
Condition
Bon état général
Le nez de deux des macchabées endommagés à cause d'une bulle éclatée. Une bulle éclatée comblée (restaurée) autour du col sur environ 5 mm. Un fêle de cuisson superficiel près du cachet de l'artiste
Good overall condition
The exterior with a few small open air bubbles inherent in the making. The nose of two adajacent masks with open air bubbles at the tip of the nose; these masks, along with another mask, with fiiring lines through the center of the face. One open air bubble just below the top rim filled with wax (4 mm diameter). The underside of the base with an open air bubble. The interiir with three irregular circular surface indentations which appear to be inherent in the making and not visible on the exterior.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Modèle 92 dans les archives de l'artiste. Trois exemplaires de ce vase ont été réalisés ; seul le présent lot est à ce jour localisé.