A Blue and White Ming-Style Moonflask Seal Mark and Period of Qianlong

of flattened form with gently domed sides rising from a spreading foot to a ribbed cylindrical neck, set with a pair of scroll handles, brilliantly painted in vivid tones of cobalt-blue with the ‘heaped and piled’ effect, the domed sides decorated with eight radiating lappet panels each enclosing the beribboned bajixiang around a raised central boss with a double vajra, all encircled by a keyfret band, the foot and neck with lingzhi scrolls and the narrow sides with meandering lotus, all below a keyfret border at the rim, the base inscribed with a six-character seal mark

By repute, acquired in the Channel Islands during the 1970s.
A private English collection.

The flask has been damaged and repaired on the reverse side, most likely after falling down. The three main sections that were broken have now been re-affixed (old repair). The three-section break covers about 2/3 of the face that got damaged and partly extend over the side edge and down around the foot with an associated crack further extending to the front. The right handle on the photograph has broken off and been re-affixed. The front side (showing on the illustration in the catalogue) bears some wear and surface scratches in commensuration with age but remains essentially intact. The actual colour is slightly more dense compared to the catalogue illustration.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

In their decoration this impressive Qianlong mark and period moon flask closely follows the motif found on the interior of an early fifteenth century basin, from the Avery Brundage collection in the Asian Art Museum of San Francisco, with eight petal panels radiating from a double vajra with each panel containing one of the eight auspicious Buddhist emblems (bajixiang). The Brundage basin was included in the exhibition Blue and White, University of Chicago, Chicago, 1985, cat. no. 28, where John Carswell mentions fourteenth century designs with auspicious objects in radiating lotus panels of varying numbers. The shape of this flask is also based on Ming period vessels with a decorated convex side and a smooth flat unglazed back such as the piece, formerly sold in these rooms, 29th October 1957, lot 166, and now in the Freer Art Gallery, Washington D.C., illustrated in Oriental Ceramics. The World’s Great Collections, vol. 9, Tokyo, 1981, pl. 94. Fifteenth century blue and white porcelain flasks, in turn, took their form from earlier, 13th century, Mesopotamian bronze cooling vessels, such as the example from the Eumorfopoulos collection, sold in these rooms, 5th June 1940, lot 72, and now also in the Freer Art Gallery.

Similar Qianlong blue and white moon flask may be found in a number of museums and private collections. For example, see one included in the Illustrated Catalogue of Ch’ing Dynasty Porcelain in the National Palace Museum, vol. II, Tokyo, 1981, cat. no. 5; two published in Chinese Ceramics in the Idemitsu Collection, Tokyo, 1987, pls. 949 and 950, the latter unmarked ; one in the Nanjing Museum illustrated in Zhongguo lidai Jingdezhen ciqi, Beijing, 1998, p. 169; another, from the collection of Edward T. Chow, was sold in our Hong Kong rooms, 19th May 1981, lot 544; a further piece, from the collections of C.G. Sloan and Greenwald, was sold at Christie’s Hong Kong, 1st December 2010, lot 2826; and another in our Paris rooms, 12th December 2013, lot 144.