Lot 91
  • 91

Madonna and Child with Angel, signed [Muhammad] Sadiq, Persia, Qajar, dated 1240 AH/1824-25

Estimate
15,000 - 25,000 GBP
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Description

  • Oil on canvas
oil on canvas, inscribed and signed 'Sadiq' in white nasta'liq at the bottom right corner

Provenance

Sold in these rooms, 27 April 1994, lot 109

Literature

N. Brosh and R. Milstein, Biblical Stories in Islamic Painting, Jerusalem, 1991, p.119, no.43

Condition

In generally good overall condition, relined and laid on board, old repairs at top corners indicate the painting was originally arch-shaped, as viewed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

inscriptions

At bottom right corner:  
shode ahya az dame Isah Maryam
'from Jesus's breath, Maryam's soul was fulfilled"

This unique Qajar group portrait depicts a biblical scene. The Virgin Mary holds the infant Jesus, who holds a sprig of narcissus in his left hand.  To the left kneels Saint John, offering an apple. Mary has an archetypal Persian rose in her hair and wears a floral decorated dress, the style of which coincides with the period preceding 1820, necessitating the reading of the date as 1240 rather than 1204.

This work illustrates the European influence manifested in the work of Muhammad Sadiq. The use of a building, pillar and greenery to enhance perspective are stylistic imports from eighteenth century European painting, particularly Italian landscapes and rural scenes, which were popular at the time.

Muhammad Sadiq, a pupil of Muhammad 'Ali Ashraf, was a skilled fresco painter and his involvement in the interior decoration of the Shiraz pavilion led to a distinctive development in his compositions, whereby he started to create works which were inserted into architectural niches in buildings. For one of his finest court paintings, see a portrait of Rustam Khan Zand sold in these rooms 9 October 2013, lot 99.