An illustration from a Ragamala series: Kamala (lotus) Raga of Raga Hindol, India, Northern Deccan, mid-17th century

gouache on paper, two-line inscription at top in Nagari script, inner narrow yellow border, outer cream border, numbered on reverse in Nagari 44, 45 and 51

Some surface wear and losses of pigment in patches, slight discolouration in some areas, as viewed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This painting comes from a distinctive Ragamala series tentatively attributed to the Northern Deccan in the middle decades of the seventeenth century. With its vibrant palette and strong forms it may relate to other paintings from the Northern Deccan, such as the Tarif-i Husain Shahi of circa 1565 and a Ragamala painting of the second half of the seventeenth century (see Zebrowski 1983, pl.I, fig.38), but Mewar has also been suggested (see Fantoni 1999, p.48), as well as links to Malwa and Bijapur (Losty 2008, p.56). Other examples of this series are published as follows: Glynn, Skelton and Dallapiccola 2011, no.16, pp.70-71;  Losty 2008, no.22, pp.56-57; Fantoni 1999, nos.29-31, pp.48-51; Fogg and Miller 1996, no.86, pp.84-85.

The inscription names the raga as Kamala (Lotus) Raga of Raga Hindol. The lotus of this mode is represented here by the garment worn by the male figure, which is made entirely of lotus flowers, and the large lotus in his hand.