- 252
A gilt-bronze-mounted mahogany commode à vantaux attributed to Jacob Frères Empire, circa 1810
Description
- gilt-bronze, mahogany, marble, oak
- 100cm. high, 120cm. wide, 80cm. deep; 3ft. 3¼in., 3ft. 11¼in., 2ft. 7½in.
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Denise Ledoux-Lebard, Les Ebénistes du XIXe Siècle 1795-1889, Paris,1965, p. 302.
Jean-Pierre Samoyault, Mobilier Français Consulat et Empire, Paris, 2009, p. 46, fig. 54 and 55, p. 73, pl.13 and 44.
The form of this commode with two doors flanked by projecting columns and the gilt-bronze ornamentation are often found on the pieces by Jacob Frères which enable an attribution to this maker to be made.
The neo-classical females in drapery and thyrsus used a device along the edge of a door are also a feature of Jacob's work. Ledoux-Lebard illustrates, op. cit., p. 302, a commode à vantaux with flaming torches on the stiles with fine flame mahogany veneer and beautifully cast mounts which are in many respects typical of commodes by Jacob Frères. Also see another related serre-papiers with two doors by Jacob-Desmalter delivered in 1810 for le grand cabinet of the Emperor at the Grand Trianon witha thyrsus along the edge of the right door as on the offered lot, a device often used by Jacob, illustrated, op. cit., p. 327.
The inspiration for the neo-classical female figure of Diana with flaming torches in a design for a bed with a neo-classical female figure with drapery above her head, close to the female figure on the offered lot, by Charles Percier, ante 1800, now in the Metropolitan Museum, New York, op. cit., p. 46, fig. 55. The same figure depicted in gilt-bronze can be seen on a bed illustrated op. cit., p. 73, pl. 134, attributed to Jacob Frères after Charles Percier and Louis-Martin Berthault for the bedchamber of Madame Récamier in rue du Mont-Blanc in Paris, circa 1799, now in the Louvre Museum, Paris. It is also worthwhile considering the design for a bed by Jean-Charles Krafft and Nicholas Ransonnette, Plans, coupes et élévations des plus belles maisons et des hôtels construits à Paris et dans les environs, an. IX-1801, pl. 90, illustrated by Samoyault, op. cit., p. 46, fig. 54, with a neo-classical female figure probably Diana similar to the mounts on the door of this piece.
Finally, a related commode à vantaux in flame mahogany with freestanding columns and a flaming torch along the edge of the door which is stamped Jacob D./R. Meslée, was sold Sotheby's, Paris, 15th October 2003, lot 25 (€29, 750).