Lot 53
  • 53

Mario Schifano

Estimate
120,000 - 180,000 EUR
Log in to view results
bidding is closed

Description

  • Mario Schifano
  • Al mare
  • intitolato; firmato e intitolato sul retro
  • carboncino e smalto su carta applicata su tela
  • cm 200x200 (dittico)
  • Eseguito nel 1963

Provenance

Collezione Privata, Gallarate (acquistato alla fine degli anni Settanta)
Acquistato dall'attuale proprietario nel 2006

Condition

This work is in generally good overall condition. The bearing of the upper panel is slightly wavy. There are few paper unevenness along the edges inherent to the artist's working method. There are light stretcher marks along the upper and lower margins. Along the lower margin are visible few light traces of water stains probably inherent to the artist's working method. There is a small restored tear on the paper by the upper left corner of the lower panel. There are three minor indentation marks along the lower margin and towards the center and to the right, and towards the center of the lower panel.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

L'attestato di libera circolazione è stato richiesto per questo lotto

An export licence has been requested for this lot

 

"Ampio, insoluto", cioè approssimativo, cosi Schifano definisce il suo lavoro. L'approssimazione è quella di forme ambigue, quelle assunte dalla memoria, quelle tracciate dalla mano imprecisa e sicura al tempo stesso, elegante e imperfetta, felicemente inesatta. [...] Approssimativo è anche il Mare (1963), con quei tocchi di onde azzurre accennate: "Per me la luce, il mare sono sempre stati molto importanti."
(Laura Cherubini, Elogio dell'approssimazione, in catalogo della mostra, Fondazione Marconi, Schifano. 1960-1964. Dal monoscromo alla strada, Milano 2005, pag. 192)