- 79
Charles Lapicque
Estimate
35,000 - 45,000 EUR
bidding is closed
Description
- Charles Lapicque
- Nuit vénitienne
- signed Lapicque and dated 56 (lower right) ; signed Lapicque, titled nuit vénitienne and dated 1956 (on the reverse)
- oil on canvas
- 116 x 88.8 cm ; 45 5/8 x 34 7/8 in.
Provenance
Collection W. Scharf, Berlin
Private Collection, Paris
Private Collection, Paris
Exhibited
Paris, Galerie Villand et Galanis, Charles Lapicque : peintures récentes, 1958
Bern, Kunsthalle, Charles Lapicque, 1962
Munich, Stadtische Galerie, Charles Lapicque, 1962
Grenoble, Musée de peinture et de sculpture, Charles Lapicque, 1962, no. 95
Le Havre, Musée Maison de la Culture, Charles Lapicque, 1962
Trèves, Städtische Museum, Charles Lapicque, 1963
Luxembourg, Musée du Luxembourg, Charles Lapicque, 1963
Hamburg, Kunstverein, Charles Lapicque, 1964
Essen, Musée Folkwang, Charles Lapicque : peintures, aquarelles, dessins, 1965
Paris, Musée National d'Art Moderne, Charles Lapicque, 1967, no. 87
Albi, Musée Toulouse-Lautrec, Charles Lapicque, 1967
Bern, Kunsthalle, Charles Lapicque, 1962
Munich, Stadtische Galerie, Charles Lapicque, 1962
Grenoble, Musée de peinture et de sculpture, Charles Lapicque, 1962, no. 95
Le Havre, Musée Maison de la Culture, Charles Lapicque, 1962
Trèves, Städtische Museum, Charles Lapicque, 1963
Luxembourg, Musée du Luxembourg, Charles Lapicque, 1963
Hamburg, Kunstverein, Charles Lapicque, 1964
Essen, Musée Folkwang, Charles Lapicque : peintures, aquarelles, dessins, 1965
Paris, Musée National d'Art Moderne, Charles Lapicque, 1967, no. 87
Albi, Musée Toulouse-Lautrec, Charles Lapicque, 1967
Literature
Bernard, Balanci, Charles Lapicque, Catalogue raisonné de l’œuvre peint et de la sculpture, Paris, 1972, illustrated no. 329
Aloys Perrefaux, Lapicque, Neuchâtel, 1983, illustrated p. 108
Hors-série Géo, Passion Venise, no. 12, March 2004, illustrated in the art-peinture section
Aloys Perrefaux, Lapicque, Neuchâtel, 1983, illustrated p. 108
Hors-série Géo, Passion Venise, no. 12, March 2004, illustrated in the art-peinture section
Condition
The canvas is not lined. Close examination reveals stable shrinkage in the light purple pigment, inherent to the artists process, and some minor frame rubbing around the edges. There is no evidence of retouching under UV light; this work is in very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."