Lot 43
  • 43

John George Brown

Estimate
20,000 - 30,000 USD
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Description

  • John George Brown
  • Homeward Bound
  • signed J.G. Brown, N.A. (lower right)
  • oil on canvas
  • 23 by 15 inches
  • (58.4 by 38.1 cm)
  • Painted circa 1878.

Provenance

Rosemary Small, North Carolina (by descent in her family)
Adams Davidson Galleries, Washington, D.C. (acquired from the above)
Private Collection, Washington (acquired from the above)

Condition

The canvas is lined with a wax lining, which has cause compression to the paint layer. Otherwise, surface is generally in good condition, with scattered craquelure. Under ultraviolet light: scattered spots of inpainting throughout, along bottom edge, a large area of inpainting in cloud and sky at upper right, with additional inpainting in sky at left edge upper and along top edge, while some areas also show an old green varnish.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Homeward Bound is a product of John George Brown’s 1877 and 1878 trips to Grand Manan Island, off the coast of Maine in the Bay of Fundy, New Brunswick, Canada.  The island was popular with the American literary and artistic set of the time, including the artists Edward Moran and Alfred Thompson Bricher.  While many focused on the island’s topography, a rugged shoreline bordering a body of water famous for its extreme tides, it was the unique culture of men trying to make a living within that perilous environment that captured Brown’s attention.  Homeward Bound and other paintings resulting from Brown’s time at Grand Manan were executed with comparatively loose and expressive brushwork.  They were often painted on location and are set apart from his characteristic urban genre paintings in their intense focus on the rugged masculinity of the subjects.  Brown sought to provide a record of concurrent cultures for preservation in posterity and “Grand Manan’s isolation and traditional way of life aroused his recording instincts” (Martha Hoppin, The World of J.G. Brown, Chesterfield, 2010, p. 116).  A similar composition by the same title, Homeward Bound, is currently in the collection of Historic New England, Boston, Massachusetts.