Lot 70
  • 70

Raymond Delamarre

Estimate
12,000 - 18,000 GBP
Sold
32,500 GBP
bidding is closed

Description

  • Raymond Delamarre
  • La Bolognaise (Girl from Boulogne)
  • signed: RAYMOND DELAMARRE 1/8 and stamped CISELURE D'ART D'ILE DE FRANCE CA
  • bronze, black patina
  • 120cm., 47¼in.

Provenance

with Galerie Martel-Greiner, Paris, France, 2005

Catalogue Note

Raymond Delamarre was one of the leading French sculptor's working in the Art Deco style. Trained under Jules-Félix Coutan (see the gilt bronze, ivory and onyx La Paix in this sale), he was awarded the Prix de Rome in 1919, spending a year at the Villa Medici. Delamarre is most celebrated for his colossal stucco bas-relief created in 1934 for the first class dining room of the most luxurious ocean liner of the age, the S.S. Normandie. The present torso of a young girl, La Bolognaise, is cast after a model conceived in marble by Delamarre in 1950. It exhibits the serene stylised classicism for which the artist was renowned. The present bronze, with its black patina, resembles a monumental basalt or black marble totem.

RELATED LITERATURE
V. Arwas, Art Deco Sculpture, London, 1992, p. 81

The Museum Europeu d'Art Modern, Barcelona (MEAM)

The Museu Europeu d’Art Modern (European Museum of Modern Art) is one of Barcelona’s hidden gems, situated in an elegant 18th-century palace in the heart of the city’s old town, El Born. Founded for the promotion of 20th and 21st-century figurative sculpture and painting, the museum houses an outstanding and growing collection of contemporary art. Each year it hosts the Figurativas Painting and Sculpture Awards, which brings together representations of the human form by contemporary artists from across the globe.

The following lots are a carefully curated selection of highlights from the Museum’s collection of 19thand 20th-century sculpture. It begins with a series of elegant classicising and Romantic marbles, led by Émmanuel Hannaux’s magisterial Le poète et la sirène (lot 34). These works evidence the belle époque fascination with the idealised human form, combined with wistful and exotic subjects. Affortunato Gori’s sumptuous Oriental Dancer (lot 37) highlights the fin de siècle taste for Orientalist subjects, reflecting major literary works from the time, notably Oscar Wilde’s Salome (1906). Historicism is represented in the very rare and dramatic original terracotta Monument to Beethoven by Théodore Rivière (lot 48).

The divergent movement towards a modernist aesthetic is witnessed in George Minne’s beautifully carved Le petit blesse II (lot 59) which represents the Symbolist desire to depict inner emotions in plastic form. Several works within the sale were created by artists like Minne, who were heavily influenced or trained by Auguste Rodin. The most striking of these is Louis Dejean’s column of swirling and twisting bodies (lot 82), which recalls Rodin’s Gates of Hell. A more classicising modernist aesthetic is seen in Fritz Klimsch’s elegant rendering of Frühling (Spring) (lot 63). This is complemented by Raymond Delamarre’s strong Art Deco David (lot 55), and his totemic torso LaBolognaise (lot 70). However, perhaps the most beautiful of the Art Deco sculptures is the Nude Girl by Jaume Otero i Camps (lot 40), a Catalan artist with native resonances for MEAM. Charles Despiau’s Le Faune (lot 58), seen on the cover of the catalogue, displays a softer classicism in line with the work of Aristide Maillol. Portraiture is represented by François Pompon’s charming Bust of André Leproust, and Jan and Joël Martel’s extraordinary clean-cut image of Professor Henri Vignes.

Each of the works in the catalogue were exhibited in Una mica d’escultura, si us plau! L’escultura europea del segle XX at MEAM, a dedicated exhibition of the Museum’s collection of European 19thand 20th-century sculpture.

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