Lot 44
  • 44

Edwin Lord Weeks

Estimate
70,000 - 100,000 USD
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Description

  • Edwin Lord Weeks
  • Les éléphants du Rajah de Jodhpore
  • signed E. L. Weeks and inscribed Jodhpore. (lower right)
  • oil on canvas
  • 18 1/2 by 22 in.
  • 47 by 55.9 cm

Provenance

Sale: Sotheby's, New York, October 27, 1888, lot 61A, illustrated

Exhibited

London, The Empire of India Exhibition, 1895, p. 211, no. 41 (as The Front of a Red Sandstone Palace at Jodhpore, the first stage of 1887)
Monte Carlo, Palais des Beaux-Arts, L'Exposition Internationale des Beaux-Arts de la Principauté de Monaco, 1899, p. 62, no. 467 (the completed work)

Literature

Edwin Lord Weeks, From the Black Sea Through Persia and India, New York, 1895, p. 209 (for discussion of the first stage of 1877)
D. Doge Thompson, "Edwin Lord Weeks: American Painter of India," Antiques, vol. CXXVIII, no. 2, August 1985, p. 249, fig. 2 (illustration of the original study hanging together with the present work within a photograph, circa 1890, of the artist's studio)

Condition

This painting is in original unlined condition. Under UV, uneven varnish fluoresces as a result of a selective cleaning, with old varnish remaining on the figures, elephants and in details in the buildings at right.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Weeks completed the architectural elements of the present work in situ in 1887, and he painted the figures upon returning to his Paris studio (circa 1890).