23
23

PROPERTY FROM AN AMERICAN PRIVATE COLLECTION

Gustav Klimt
AUSTRIAN
ALLEGORY OF AGRICULTURE
Estimate
20,00030,000
LOT SOLD. 20,000 USD
JUMP TO LOT
23

PROPERTY FROM AN AMERICAN PRIVATE COLLECTION

Gustav Klimt
AUSTRIAN
ALLEGORY OF AGRICULTURE
Estimate
20,00030,000
LOT SOLD. 20,000 USD
JUMP TO LOT

Details & Cataloguing

19th Century European Art

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New York

Gustav Klimt
1862 - 1918
AUSTRIAN
ALLEGORY OF AGRICULTURE
signed G. Klimt (lower right)
watercolor on paper
5 5/8 by 10 1/4 in.
14.2 by 26 cm
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We would like to thank Dr. Marian Bisanz-Prakken, Albertina, Vienna, for contributing this catalogue note. She is currently preparing the Supplement Volume to the Catalogue Raisonné of the Drawings by Gustav Klimt, edited by Alice Strobl.

Provenance

Sale: S. Kende, Vienna, March 26, 27 and 29, 1920, lot 186 (as "design for the lunette in the Municipal Theater in Carlsbad")
Private Collection (acquired at the above sale)
Thence by descent

Literature

Alice Strobl, Gustav Klimt, Die Zeichnungen, Nachtrag 1878-1918, Salzburg, 1989, vol. IV, p. 18, no. 3187, illustrated 

Catalogue Note

When Gustav Klimt made this watercolour, dated 1880-1881 by Alice Strobl, he was a student at the Kunstgewerbeschule in Vienna, aged eighteen or nineteen. This creation can be viewed in connection with other detailed allegorical drawings that the young artist produced for the esteemed publication Allegorien und Embleme - a highlight of central-european Historicism - edited by Martin Gerlach. In many respects, the present work foreshadows the artist’s ambitious allegory, The Realms of Nature (1882, Strobl, No. 47), a meticulous graphite drawing which also presents a symmetrical arrangement of three main figures, a broad podium and a simple outline in the form of a lunette. In both compositions, inspiration is taken from the Italian Renaissance – due to the influence of Ferdinand Laufberger, Klimt's teacher until 1881. The figure of Bacchus in the present work, for instance, refers to Michelangelo's igunudi in the Sistine Chapel and is subordinate to the central figure of Ceres. While in The Realms of Nature the male protagonist is intended as the embodiment of the highest species in nature, the element of flowering and growing is represented by his lesser companion, Flora.

Beside these observations, Allegory of Agriculture is exceptional as one of the earliest elaborate examples of Klimt's watercolor technique.

19th Century European Art

|
New York