Léon Messagé A gilt-bronze and rouge griotte de campan table clock Paris, early 20th century

the twin train movement stamped CH. HOUR/PARIS and numbered 3161, signed Messagé to the right side of the lion pelt

The gilt bronze has retained its original gilding, but as consistent with age, use and environmental conditions, one can see light wear to high reliefs, light dirt to crevices and some minute oxidation points in places. Please note that the movement has not been checked for functionality. However, the movement is complete and may be put into a working state by a professional horologist. The department encourages interested parties to use our online e-catalogue's zoom function to enjoy magnified and alternate views of this lot.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

 A gifted sculptor, Messagé was responsible for much of the design and creative work for Roux et Brunet of Paris. One brother, Alexandre Roux, had established a highly successful business in New York as early as 1836 (see lot 200 in the present sale). Subsequently, Messagé designed for Zwiener in the 1880s and from about 1895, most importantly, for François Linke. It might be argued that without Messagé's creativity, Linke would have remained a fine cabinet maker selling to local clients and dealers and may never have reached out so successfully to the world stage. His Croquis & Dessins, Style Louis XV, Bronzes, Orfêvrerie, Décoration, Meubles was first published by the sculptor himself, from his Paris address of 40, rue Sedaine (undated). There were five sections with an elaborate title page surmounted by the sculptor's cipher or talisman of a wing, a play on his own name as the messenger to the Gods - a feature he used many times on the handles of furniture designed for Linke.