- 111
Edouard Félicien Eugène Navellier
Estimate
6,000 - 9,000 USD
bidding is closed
Description
- Edouard Félicien Eugène Navellier
- BEDOUIN SUR SON DROMADAIRE
- signed E. NAVELLIER
- bronze, dark brown patina
- height 15 in.
- 38 cm
Condition
Overall in good condition and presentation, with the usual slight scratches to surface and wear to patina consistent with age, use and cleaning.
The department encourages interested parties to use our online e-catalogue's zoom function to enjoy magnified and alternate views of this lot.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Navellier began his studies in painting before discovering an interest in sculpture. His oeuvre consisted exclusively of animalier subjects. He exhibited at both the Salon and the Salon d'Automne, and the latter mounted a posthumous retrospective of his work in 1945.