Séraphin Denécheau

Overall the condition of the marble is good with minor dirt and wear to the surface consistent with age. There are a few small naturally occurring inclusions. There is veining to the marble consistent with material, including two small slightly open veins to the face and chest. There are a few scratches and marks. There are small losses to the toes on the proper left foot and also to the proper right little finger.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Seraphin Denécheau studied under the great French sculptors François Rude (1784-1855) and David D'Angers (1788-1856). He exhibited on a regular basis at the Paris Salon from 1859, and his Femme carréssant une chimère was noted at the Paris 1867 Exposition Universelle. An artist of portraits, mythological and allegorical groups, he had numerous commissions from the French State, the Musée du Louvre, the Opéra de Paris, the Gare du Nord, and a number of Parisian churches.

This rare marble version of his Diane couchée sur un croissant de lune exhibits a beautifully carved and polished surface. The supple quality of the goddess' skin is enhanced by the contrast with the smooth arc of the crescent moon. Denécheau has balanced the group on a bank of clouds, creating the illusion that Diana is suspended in the air. The marble is distinguished by its attractive pink marble base. A bronze version of the present model was formerly in the collection of Rochelle Sepenuk and was sold at Sotheby's New York in her Estate sale on 21 October 2008, lot 53. The spelling of the signature is consistent with the sculptor's other bronzes.