Munting, Abraham

First Latin edition, second issue, 2 parts (text and plates) in one volume, folio (390 x 245mm.), half-title, additional engraved title with elaborate emblematic surround, printed title in red and black, engraved dedication leaf, engraved head-pieces, woodcut initials and tail-piece, 245 engraved plates, contemporary panelled calf, [Great Flower Books, p.123 (1702 issue); cf. Hunt 404 (1702 issue); Nissen BBI 1429; An Oak Spring Flora 45], ten letters on title in ink facsimile, plate 35 with marginal loss not affecting image, scattered minor foxing, binding expertly rebacked to style, corners repaired

Condition is described in the main body of the cataloguing, where appropriate
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The most extraordinary botanical work of the pre-Linnean period, with "illustrations that are remarkable for their elegance and originality" (Oak Spring Flora).

This is the second issue of the Latin edition of the author's Naauwkeurige beschryving der Aardgewassen (1696) based, in part, on his Waare Oeffning der Planten (1672).

“The plates are as curious as their subjects. They commonly present plants far larger than life, oranges huge as pumpkins, cyclamens with heavy corms floating lightly in mid-air, gentle geraniums grown into giant trees. The effect is obtained through sketching in classical or idyllic or mountainous little landscapes below” (Hunt).