Lot 2
  • 2

Harry Bertoia

Estimate
20,000 - 30,000 USD
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Description

  • Harry Bertoia
  • Untitled
  • brass-coated copper and slate

Provenance

Gifted from the artist to Hans Knoll
Eszter Haraszty, former head of Knoll Textile Group
Gifted from the estate of the above to a Private Collector, Los Angeles
Wright Chicago, December 7, 2003, lot 156

 

Literature

"Pure Design Research," Architectural Forum, September 1952, p. 142 (for related panel scultures)

Condition

Overall excellent condition. As seen in the catalogue illustration, this sculpture is comprised of multiple small triangular panels, which create a spatial study. This was a subject that Bertoia pursued early in his career both in sculpture as well as monotypes. The sculpture presents with a rich and layered gilt patina and some minor surface dirt to the recessed portions of the design. The sculpture is slightly loose to the base, which appears consistent with the design. The base with a few minor surface scratches and one minute edge chip. A dynamic and complex form when viewed in person, especially when viewed from multiple angles
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

IN CONTEXT:
The triangular "leaves" in this panel sculpture for Knoll were like a tapestry in metals from a density of bright reflective colors, especially when in sunlight, to an open see-through frame.

Harry's ingenuity was so in tune with the theme or philosophy of what his client had in mind.  In this case, he was defining Knoll as a tapestry and furniture maker, coming out with a delightful display of colors and visual compliments.

— Val Bertoia