- 207
A Russian Enamelled Glass Bratina, Maltsov Glassworks, Diatkovo, 1880s
Estimate
8,000 - 12,000 USD
bidding is closed
Description
- glass, enamel glazes
- Height 7 in.; 17.5 cm
after a design by Elizaveta Bëm, the glass with golden lustre and colorfully enamelled, the neck with the Cyrillic adage "Step aside, soul, or I'll pour it on you," with white factory mark
Condition
with some rubbing and loss to enamels
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Elizaveta Bëm designed a new series of works for the Maltsov Glassworks at Diatkovo in the 1880s and 1890s based on pre-Petrine and traditional Russian forms such as the bratina, shtof, and kovsh. Many of the pieces used enamelled decoration to recall the painted green glass popular among Russia's elite in the 17th and early 18th century. The bratina, a form traditionally rendered in gilded silver, was given a layer of luster glaze or enamel that recalled precious metals while the polychrome enamels enlivened the surface. The work was nearly unique in Bëm's career and the freedom the factory granted her undoubtedly resulted from the fact that her brother Aleksandr Endaurov, was the director. The work achieved great acclaim both inside and outside of Russia; it was selected for inclusion in the Russian sections of international expositions and Bëm was awarded prizes at Chicago in 1893, Paris in 1900, Munich in 1902, and Milan in 1906. See D. Nemchinova, Khudozhestvennoe steklo Diatkovskogo zavoda, St. Petersburg, 2009, pp. 94-101.