L13112

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Lot 124
  • 124

Alexander Dmitrievich Chirkin

Estimate
20,000 - 30,000 GBP
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Description

  • Alexander Dmitrievich Chirkin
  • Granit
  • signed in Cyrillic and dated 1874 l.r.
  • oil on canvas
  • 58 by 72 cm, 23 by 28 1/2 in.

Condition

Original canvas. Very fine craquelure throughout, particularly visible in the white areas. UV light reveals some retouching to the horse's head, back and neck, to the area below the head, to the left of the tail as well as some very minor scattered retouching in the background. Held in a moulded gold painted wooden frame. Unexamined out of frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Alexander Chirkin was born in Orel, the son of Dmitry Chirkin, a captain in the Imperial Army. After receiving a military education in the Orlovsky Bakhtin Cadet Corps, he served in a grenadiers regiment before retiring to attend the St. Petersburg Academy of Arts and dedicate himself to painting. In 1870 he joined the Peredvizhniki and was put in charge of organising their travelling exhibitions. He did not exhibit with them until 1876, after which he worked exclusively on commissioned paintings until his death.

Chirkin was especially sought out for his equestrian canvases. The present painting, dated 1874, is an important portrait of a horse named Granit, depicted with a delicate brightness in a realist style. More than any other Russian artist perhaps, Chirkin has been recognised as one of the leading proponents of the equine painting genre and his commissions included the most prestigious thoroughbreds of the age.

The artist died in 1897 and a large part of his art collection was kept in his cousin’s manor house, Kritogo. Unfortunately, this residence was destroyed in a fire in 1919 and the collection was lost. Chirkin’s paintings can now be seen in the collection of the Museum of Horse Breeding in Moscow.