Lot 87
  • 87

Helen Levitt

Estimate
30,000 - 50,000 USD
bidding is closed

Description

  • Helen Levitt
  • NEW YORK (FOREIGN LEGION)
  • Gelatin silver print
tipped at four corners to a mount, signed in pencil on the mount, with annotations in pencil on the reverse, framed, circa 1940, probably printed in the late 1940s (A Way of Seeing, pl. 8; Levitt, pl. 14)

Provenance

Acquired by Leo Manso from the photographer, circa 1949

By descent to the current owners, 1993

Condition

This early, warm-toned print on double-weight paper with a slight surface sheen, is on a buff-colored paper mount. The edges of the print are rubbed, where there is also tiny, random chipping. When examined in raking light, a crease at the upper right corner is visible, as well as several small, sharp handling creases that appear to barely break the emulsion. The mount is brittle, with light soiling, age-darkening, and loss of the top paper ply at the upper right corner tip. On the reverse of the mount is the annotation 'Manso' and matting instructions in unidentified hand in pencil.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

This print comes originally from the collection of abstract painter, collagist, and Art Students League faculty member Leo Manso (1914 - 1993). Educated at the National Academy of Design, Manso was an important member of the Provincetown, Massachusetts, art colony, participating in the legendary avant-garde 'Forum 49' series of lectures, forums, and exhibitions, where the first major show of works by abstract artists was held in the Summer of 1949.