Lot 86
  • 86

Centre de table ovale en bronze doré et cristal par Charles Christofle, Paris, vers 1862

Estimate
7,000 - 9,000 EUR
bidding is closed

Description

  • Centre de table ovale en bronze doré et cristal par Charles Christofle, Paris, vers 1862
  • silver
  • Long. 56 cm ; 22in
reposant sur des branches de pommiers ornées de leurs fruits et feuilles, se terminant par des putti jouant avec des poussins, numéroté 463997, estampé CHRISTOFLE, M , et frappé du poinçon de maître, la doublure en verre d'époque

raised on apple branch supports, with fruit and leaves, the ends formed as babies playing with baby chicks, numbered 463997, stamped CHRISTOFLE, M  and with maker's mark, contemporary glass liner

Condition

Screws holding babies onto stand need a bit of tightening, generally good condition, glass in good condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Pour un centre de table à montures en vermeil, composé de la même doublure en verre et également réalisé pour l'Exposition de Londres de 1862, voir Henri Bouilhet, Christofle Silversmith since 1830, Éditions du Chêne, 1981, p. 212. 

See: Henri Bouilhet, Christofle Silversmith since 1830, Éditions du Chêne, 1981, p. 212 for a silver-mounted glass bowl set, also of  1862, made for the London exhibiton of that year, which has the same glass liner as the centrepiece now offered.