Studio of Jusepe de Ribera, called Lo Spagnoletto

The painting is a little less red than the catalogue suggests. The unframed canvas was relined in the mid 20th C and retains its tension. The paint surface is secured by a thick yellowed varnish; three cleaning windows have been opened. In the area lower right some old damage and losses can be made out under the varnish- these are visible in the catalogue reproduction. Some further minor surface scuffs are presetn. Inspection under UV light is not satisfactory due to the thick varnish but the paint surface does appear to be in good condition underneath it. Unframed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The composition is a workshop adaptation, in reverse, of Ribera's Saint Peter in the Museo del Prado, Madrid (see N. Spinosa, Ribera, la obra completa, Madrid 2008, p. 375, cat. no. A122, reproduced).