Follower of the Brunswick Monogrammist

This panel has been cradled and is flat and stable. There are a few knocks to the upper and lower edges, which have largely been repaired, apart from one measuring about 1 cm at the lower centre. The paint surface is even and in excellent condition. The variety of colours in the costume and kitchen utensils are well-preserved and lively. There are spot retouchings throughout the composition, espeically to the figures in the centre and right background. Inspection under UV light reveals reinforcing of dark contours on female figures' clothing and cooking instruments by the fireplace and the swords carries by the man on the far left. The faces of the two ladies on the far left have been mostly untouched and are particularly lovely. A thick varnish covers the whole panel protecting the paint surface enhancing the vibrant colours that enliven this jovial scene. This lot is sold in a charming painted wooden frame, with blue patterning in the middle band that has been distressed to look older than it is.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

A period derivation after the original of very similar dimensions by the Brunswick Monogrammist in the Städelsches Kunstinstitut, Frankfurt (inv. no. 249).¹ A copy is in the Rijksmuseum, Amsterdam (inv. no.1652.E.I).

1. See M.J. Friedländer, Early Netherlandish Painting, Leyden 1975, vol. XII, p. 113, cat. no. 236, reproduced plate 126, fig. 236.