Joos de Momper

In the family of the present owner since the 1950s.

The canvas has an old relining. The paint surface is secure, and in good condition under an old varnish. Some old discoloured retouching work is visible to the naked eye in the greens and blues of the far distance. This is confirmed under UV light which also reveals scattered minor work elsewhere and some more significant retouchings along the margins of the canvas, presumably the result of past frame abrasion. Offered in a wooden frame in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This unpublished work is an excellent example of the panoramic landcapes for which Joos de Momper was justly renowned, earning him the sobriquet 'pictor montium' which was inscribed beneath his portrait in Anthony van Dyck's famous Iconography (circa 1632-44). A compositionally similar work of comparative size (108 by 180.5 cm.) was sold New York, Sotheby's, 20 January 1983, lot 88.